Re-examining film’s potential as both an artistic and ideological discipline, Torn is the Curtain interrogates the relationship between early film cultures within Istanbul and ever-changing ideas of social transformation, highlighting how emergent ideas of post-colonialism, Orientalism, and feminism impacted Turkish spectatorship culture.

Subjects: Film and Television Studies Media Studies History: 20th Century to Present

An incisive analysis of East German cinematic, literary, and architectural case studies from the 1960s to the 1980s, Neubau Atmospheres examines the creative role the urban, built environment played in mediating the emotional and social experience of its residents, highlighting how this engagement constituted a cultural genre in its own right.

Subjects: Film and Television Studies Literary Studies History: 20th Century to Present

Today, at a time when we are seeking to orient ourselves within a flood of raw information and conflicting narratives, an understanding of storytelling is of vital importance for making sense of the world. In this book, award-winning screenwriter Stephen Most offers a captivating, refreshingly heartfelt exploration of how documentary film and other forms of storytelling remain so essential today.

Subjects: Film and Television Studies Literary Studies

An exacting re-examination of Ingmar Bergman’s cultural heritage, Ingmar Bergman Out Of Focus digs into the perceived “familiarity” of Bergman’s films by analyzing how the Swedish director’s film aesthetics simultaneously shaped modern culture and were themselves reshaped by contemporary cultural debates.

Subjects: Film and Television Studies Cultural Studies (General) History: 20th Century to Present

An exacting reassessment of the relationship between culture and ideology within the Cold War period, Rethinking the Cinematic Cold War highlights the role that politics played in informing policies as well as cultural products and appetites, across geopolitical boundaries.

Subjects: Film and Television Studies Cultural Studies (General) History: 20th Century to Present

Stanley Kubrick was arguably one of the most influential American directors of the post-World War II era, and his Central European Jewish heritage, though often overlooked, greatly influenced his oeuvre. Kubrick's Mitteleuropa explores this as well as providing important commentary on the reception of his films in countries across Eastern Europe.

Subjects: Film and Television Studies Cultural Studies (General)

Scientific discovery and discourse were central in the making of Cold War. Spanning various media, Science on Screen and Paper seeks to embrace the medial differences during the Cold War period through intersectional themes and strategies for the representation of science’s central role.

Subject: Film and Television Studies History: 20th Century to Present

More than 30 years after the collapse of the German Democratic Republic, its cinema continues to attract scholarly attention. Documenting Socialism brings a fresh introduction to the field of documentary cinema and the complexities of diversity under socialism in the GDR.

Subjects: Film and Television Studies History: 20th Century to Present

Enchanted by Cinema explores the films of the European music film pioneer William Thiele, as well as his career as an exile in Hollywood. Examining a wide range of the director’s filmography, the contributors address a variety of political, aesthetic and cross-cultural issues.

Subjects: Film and Television Studies History: 20th Century to Present Jewish Studies

The roots of German National Socialist policies have strong connections to Weimar era circulation of medical hygiene propaganda films that conveyed strong connections between scientific legitimacy between racial superiority, genetically spread “incurable” diseases, and the degradation of the German national population.

Subjects: Film and Television Studies History: World War II Media Studies

Edges of Noir addresses film studies’ neglect of 1960s experimental noir films that have resisted easy classification against more popularly regarded late noir films and responds to the interpretive dilemmas and anxieties of the time to which the films provided expression.

Subjects: Film and Television Studies Cultural Studies (General) History: 20th Century to Present

Stories between Tears and Laughter strikes new ground in the history of Czech cinema focusing on the historically underrepresented post-socialist era following the 1960s to reveal the discourse of cultural value through which popular Czech films were being evaluated.

Subjects: Film and Television Studies Media Studies History: 20th Century to Present

Microhistories of Memory takes the culturally significant West German novel, radio play, and television series Through the Night (originally Am grünen Strand der Spree, 1955-1960), depicting the mass shootings of Jews in the occupied Soviet Union during World War II, and provides an in-depth look into work’s circulation, reception, production, and popularity in the public sphere.

Subjects: Memory Studies Film and Television Studies Media Studies

Cinema and the Environment in Eastern Europe traces from the 1970s through the post 1989 period how documentaries and filmmakers began to articulate alternative, aesthetically and ideologically provocative visions of the relationship between human and natural worlds.

Subjects: Film and Television Studies Environmental Studies (General) Cultural Studies (General)

By focusing on regional film markets in Thessasloniki, Sarajevo, and Tbilisi, Coproduction Europe uses comparative ethnography to look beyond the economic nature of film coproductions to explore their role in Europeanisation, memories of the Cold War, and preconstructed political agendas.

Subjects: Film and Television Studies Cultural Studies (General) History: 20th Century to Present

With the reintroduction of many important debates surrounding reproductive rights, migration and nationalism, Pepsi and the Pill brings to the fore examples and critical historical and media analysis of British and French films in the popular culture and political discourses of 1960s Western Europe.

Subjects: Film and Television Studies Cultural Studies (General) Gender Studies and Sexuality

Many films and novels defy our ability to make sense of the plot. Puzzling Stories offers the first comprehensive, multidisciplinary, and trans-medial approach to the question of cognitive challenge in narrative art, bringing together psychological, philosophical, formal-historical, and empirical perspectives from leading scholars across these fields.

Subjects: Film and Television Studies Cultural Studies (General) Sociology

Soho on Screenprovides the first history of London’s commercial and cultural center, Soho, in British cinema. It highlights forgotten British films, filmmakers, and stars in detail and introduces thoroughly researched studies that highlight not only the cultural importance of Soho as a locus for cinema but also the impact of gentrification on the cultural and social development of Soho today.

Subjects: Film and Television Studies Media Studies

By focusing on a series of colorful filmmakers whose work, while omnipresent during the 1970s, now remains critically ignored, Hotbeds of Licentiousness explores pornography as a lens through which to view radical changes in British society.

Subjects: Film and Television Studies History: 20th Century to Present Cultural Studies (General)

Through an intermedial approach combining studies on cinema and photography, Moving Frames addresses precise historical moments uniquely in a German context. Across films both in and outside the canon, this volume tackles those specific historical moments experienced in media forms to gauge the cultural, political, and transnational trends in humanity’s desire for agency and how that agency is represented.

Subjects: Film and Television Studies Cultural Studies (General) History: 20th Century to Present

This book analyzes, within the realms of national literature and film, recent Australian and Canadian attempts to reconcile with Indigenous populations in the wake of forced child removal. As Hanna Teichler demonstrates, their systematic emphasis on the subjectivity of the victim is carnivalesque, temporarily overturning discursive hierarchies.

Subjects: Memory Studies Literary Studies Film and Television Studies

One More for the Road recounts the life and career of Croatian filmmaker Rajko Grlić in the form of a film dictionary, tying cinematic terms to anecdotes spanning Grlić’s life. With a scholarly introduction by Aida Vidan, these personal stories combine to provide insight into the socialist film industries and south Slavic film.

Subjects: Film and Television Studies Cultural Studies (General)

The Cinematic Language of Theo Angelopoulos offers a detailed study and critical discussion of the acclaimed filmmaker’s cinematic aesthetics as they developed over his career, exploring different styles through which Greek and European history, identity, and loss have been visually articulated throughout his oeuvre.

Subjects: Film and Television Studies Cultural Studies (General)

Peter Lilienthal is the first comprehensive study of Lilienthal’s life and career, highlighting the distinctively cross-cultural and transnational dimensions of his oeuvre, and exploring his role as an early exemplar of a more vibrant and inclusive European film culture.

Subject: Film and Television Studies

Since the early 1990s, phenomenology and cognitivism have become two of the most influential approaches to film theory. Emotions, Ethics, and Cinematic Experience explores how these two approaches might work together to create a philosophy of film that is both descriptively rich and theoretically productive.

Subjects: Film and Television Studies Media Studies Sociology

By combining close analyses of five films made between 1947 and 1988 with extensive archival research, this book unravels the complex status of films dealing with Jewish persecution produced in a country that consistently privileged narratives of political persecution above racial victimhood.

Subjects: Film and Television Studies Genocide History History: 20th Century to Present

Drawing from political sociology, pop psychology, and film studies, Cinemas of Boyhood features an eclectic range of films from British and Indian cinemas to silent Hollywood and the new Hollywood of the 1980s, culminating in a comprehensive overview of the diverse concerns surrounding representations of boyhood in film.

Subjects: Film and Television Studies Gender Studies and Sexuality

The film industry in the Weimar Republic was a major site for German-Jewish experience that provided a sphere for Jewish "outsiders" to shape mainstream culture. The essays in Rethinking Jewishness in Weimar Cinema offer new historical, theoretical, and methodological approaches to the significant involvement of Jewish people in Weimar cinema.

Subjects: Film and Television Studies Jewish Studies History: 20th Century to Present

Sensitive Subjects examines how contemporary German-language cinema may be read as seeking to produce greater political sensitivity in audiences through its form—that is, by employing medium-specific devices such as lighting, sound, editing and mise-en-scène in ways that prompt a more critical stance towards the societies it depicts.

Subjects: Film and Television Studies Media Studies

Detlef Siegfried’s long-awaited English translation chronicles Ernest Borneman’s journey from his days as a young Jewish Communist in Berlin to his ventures in England and Canada, and ultimately, to his endeavors as the most prominent sexologist spearheading the sexual revolution in West Germany and Austria in the twentieth century.

Subjects: History: 20th Century to Present Cultural Studies (General) Film and Television Studies Media Studies

Don't Need No Thought Control explores the dynamic interplay between popular demands, intensifying economic crises, and cultural policy decisions during the Erich Honecker era in a comprehensive and comparative analysis.

Subjects: History: 20th Century to Present Media Studies Cultural Studies (General) Film and Television Studies

A Dramatic Revinvention sheds new light on how Germans rebuilt their moral and intellectual world after the Nazi catastrophe. The book argues that television emerged as one of the most important mediums for presenting, discussing, and working through the question of how to re-moralize Germany.

Subjects: History: 20th Century to Present Film and Television Studies

The Amber Film collective has been part of the British and European documentary scene since the late 1960s. Situating the work within wider social, political and historical contexts, In Fading Light interrogates how their critically acclaimed body of work—which includes documentaries, feature films, television films, and other experimental and campaigning projects—relates to other filmmakers in Britain and Europe.

Subjects: Film and Television Studies Media Studies Cultural Studies (General)

This innovative study develops the concept of “retro” to describe the nuanced and ironic depiction of the past as seen in Czech popular culture. It locates a distinctively retro aesthetic in Czech literature, film, and other cultural forms, enriching our understanding of not only the nation’s memory culture, but also the ways in which popular culture can structure collective memory.

Subjects: Cultural Studies (General) History: 20th Century to Present Film and Television Studies Memory Studies

Italian cinema gave rise to some of the best-known films of the postwar years, and its stars were beloved by both the public and producers. This book explores the many conflicts over stars and stardom that arose during Italian cinema’s postwar rebirth, shedding new light on the close relationship forged between cinema and society.

Subjects: Film and Television Studies History: 20th Century to Present

Almost from their very inception, European cinemas frequently undertook collaborative ventures in an attempt to cultivate a transnational “Film-Europe.” And despite the significant obstacles that the East/West divide presented to achieving that ideal, in the postwar era it was DEFA, the state cinema of the newly created East Germany, that emerged as one of the primary sites where these practices persisted.

Subjects: Film and Television Studies History: 20th Century to Present

The seminal work of Jean Cayrol has experienced a revival in the French-speaking world since his death in 2005. Concentrationary Art represents the first translation into English of Cayrol’s two essays on concentrationary art, as well as the first book-length study of his theory.

Subjects: Literary Studies Film and Television Studies History: 20th Century to Present Memory Studies

Persistently Postwar approaches the topics of social memory and political discourse through an exploration of Japan’s post-war mass media. Diverse disciplinary backgrounds and contrasting perspectives offer a nuanced dialogue in which the functions of mass media are explored as more than a simple ideological tool.

Subjects: Media Studies Film and Television Studies Cultural Studies (General) Memory Studies

Screening Art represents the first full-length study of films about art and artists produced by the state-owned Eastern German film studio DEFA. It investigates the essential role that these “art films” played in the development of new paradigms of socialist art in post-war Europe.

Subjects: Film and Television Studies History: 20th Century to Present Cultural Studies (General)

Sofia Coppola: The Politics of Visual Pleasure interprets Coppola’s oeuvre to date from a resolutely feminist and philosophical perspective. Using the work of a range of feminist theorists, Backman Rogers situates Coppola’s work as a critique of postfeminist lifestyles that offer the viewer a feminist and feminine philosophy through beguilement, mood and surface.

Subjects: Film and Television Studies Gender Studies and Sexuality Cultural Studies (General)

This thoroughly revised and updated edition of Marek Haltof’s seminal survey takes stock of dramatic shifts in Polish society and to provide an essential account of the nation’s cinema from the nineteenth century to today. It covers such renowned figures as Kieślowski and Wajda along with vastly expanded coverage of documentaries, animation, and television.

Subjects: Film and Television Studies Cultural Studies (General) History: 20th Century to Present

Established in 1955, the Leipzig Film Festival’s location in the GDR deeply implicated it in the cultural and political competition between East and West Germany. Screened Encounters offers a comprehensive study of the festival’s history, as well as its influence on international relations during the Cold War.

Subjects: Film and Television Studies History: 20th Century to Present

Spanish film and television represent a remarkably influential and vibrant cultural industry, as well as a fertile site of innovation in the production of “transmedia” works that bridge narrative forms. Spanish Lessons provides an engaging exploration of the nation’s visual culture in an era of collapsing genre boundaries, accelerating technological change, and political-economic tumult.

Subjects: Film and Television Studies Media Studies

With his meticulous approach to craft, formal innovations, and intensely personal style, Robert Bresson was in many ways the prototypical auteur. This strikingly original study of Bresson and his cinematic afterlives his influence in the work of French filmmakers such as Pialat, Eustache, and Rohmer—directors united by the “problem” of authorial style they inherited from Bresson.

Subject: Film and Television Studies

The last two decades have been frequently discordant for German feminism, as a new cohort of activists has come of age and challenged many of the movement’s strategic and philosophical orthodoxies. This book offers an incisive cultural analysis of these trans-generational debates, identifying characteristic features of their representation in German literature, film, and media.

Subjects: Gender Studies and Sexuality Media Studies Film and Television Studies Literary Studies

Polish cinema has inescapably been shaped by the nation’s succession of different economic and ideological regimes over the last century. This volume is the first to analyze the entirety of the nation’s film history—from independence in 1918 to today—through the lenses of political economy and social class.

Subjects: Film and Television Studies History: 20th Century to Present

What might the “organic” mean in the context of film studies? This innovative volume locates one instance of organicity in the work of Béla Tarr, the renowned Hungarian filmmaker “slow cinema” pioneer. It analyzes Tarr’s long take and other signature techniques, establishes links between the seemingly remote spheres of film and architecture.

Subjects: Film and Television Studies Cultural Studies (General)

The richness of Brazilian stardom extends well beyond the ubiquitous Carmen Miranda, and among the studies assembled in this volume are fascinating explorations of figures alongside interrogations of the inner workings of the star system in Brazil, from the pioneering efforts of silent-era actresses to the recent advent of the non-professional movie star.

Subjects: Film and Television Studies Media Studies

Once one of the leading lights of Swedish cinema, director Hasse Ekman is today virtually unknown outside of Sweden, eclipsed by the iconic Ingmar Bergman. This first-ever English-language book on the subject provides an engaging, comprehensive survey of Ekman’s career, combining explorations of historical context with insightful analyses of styles and themes.

Subject: Film and Television Studies

Since the fall of the Berlin Wall, interest in East German cinema has exploded, inspiring innumerable festivals, books, and exhibits. In this stimulating collection, leading international experts assess this vibrant landscape and plot an ambitious course for future research that considers other cinematic traditions, genre works, and DEFA’s post-unification “afterlife.”

Subjects: Film and Television Studies History: 20th Century to Present

Long overlooked by scholars and critics, the history and aesthetics of German television have only recently begun to attract serious, sustained attention, and then largely within Germany. This ambitious volume collects penetrating essays on the distinctive theories, practices, and social-historical contexts that defined television in Germany.

Subjects: Film and Television Studies Media Studies

French sociologist Pierre Bourdieu’s work has been extremely influential, but has only intermittently been used to study cinema and new media. With topics ranging from photography to mobile technology, this collection demonstrates the enormous relevance that Bourdieu holds for the field of media studies.

Subjects: Film and Television Studies Media Studies Sociology

This is a fresh and groundbreaking account of the innovations and provocations of the “cinema of 1968,” and its social and aesthetic contexts. Benjamin Halligan offers a genuinely fresh analysis of films reflecting the cultural upheaval of youth in revolt—cinema that did not merely entertain, but was made the barricades.

Subjects: Film and Television Studies History: 20th Century to Present

There has been a revival of interest in the work of Polish film director Walerian Borowczyk, a label-defying auteur and “escape artist” if there ever was one. This volume, markedly experimental in character, allows scholars to gain insight into previously unnoticed aspects of Borowczyk’s complex and ambiguous oeuvre.

Subject: Film and Television Studies

The films of Darren Aronofsky invite emotional engagement by means of affective resonance between the film and the spectator’s lived body. Bodies in Pain analyses how Aronofsky’s films engage the spectator in an affective form of viewing that involves all the senses, ultimately engendering a process of (self) reflection through their emotional dynamics.

Subject: Film and Television Studies

What are the nuances, insider codes, and hidden history of the alignment between cinema and nationalism? Hugo Frey suggests that the concepts of the ‘political myth’ and ‘the film event’ are the essential theoretical reference points for unlocking film history. Nationalism and the Cinema in France offers new arguments regarding those connections in the French case.
 

Subjects: Film and Television Studies History: 20th Century to Present

"On the evidence of this brilliantly allusive study of Ingmar Bergman, John Orr, had it not been for his premature passing, would have become one of the world's most influential of film analysts. Even beneath the shadow of the plethora of books on Bergman, Orr's approach is distinctive… He emphasizes the maestro's courageous leap into Modernism in the early 1960's, and the profound influence he exerted on his contemporaries. It is a pleasure to read Orr's elegant prose, which eschews the obtuse terminology of semiotics in favor of a lucid, almost passionate approach to the material.  Bergman, one feels, would have enjoyed this book."  ·  Peter Cowie, author of Ingmar Bergman, A Critical Biography.

Subject: Film and Television Studies

Subject: Film and Television Studies

Subjects: Film and Television Studies Performance Studies

“This is an ambitious and ground-breaking volume which takes a thoroughly interdisciplinary perspective on what the editors have branded as ‘transcultural montage.’ ...The total effect is a mesmerising and in many ways insightful comparative endeavour that will do much to consolidate montage as a theme that goes to the heart of contemporary social theory.”  ·  Martin Holbraad, University College London

Subjects: Anthropology (General) Cultural Studies (General) Film and Television Studies Museum Studies

Subject: Film and Television Studies

Subjects: Film and Television Studies Anthropology (General) History (General)

Subjects: Film and Television Studies History: 20th Century to Present

Subject: Film and Television Studies

Subject: Film and Television Studies

Subjects: Film and Television Studies Genocide History Colonial History

Subject: Film and Television Studies

Subjects: Film and Television Studies Gender Studies and Sexuality

Subject: Film and Television Studies

Subjects: Film and Television Studies History: 20th Century to Present

Subjects: Film and Television Studies Genocide History Cultural Studies (General)

Subjects: Film and Television Studies Genocide History

Subject: Film and Television Studies

Subjects: Film and Television Studies History: 20th Century to Present

Subject: Film and Television Studies

Subject: Film and Television Studies

Subject: Film and Television Studies

Subjects: Film and Television Studies Cultural Studies (General) Gender Studies and Sexuality

Subjects: Film and Television Studies Gender Studies and Sexuality

Subject: Film and Television Studies

Subject: Film and Television Studies

Subject: Film and Television Studies

Subjects: History (General) Media Studies Literary Studies Film and Television Studies

Subjects: Film and Television Studies Refugee and Migration Studies History: 20th Century to Present

Subjects: History: 20th Century to Present Film and Television Studies Cultural Studies (General)

Subject: Film and Television Studies

Subjects: Film and Television Studies History: 20th Century to Present

Subject: Film and Television Studies