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by Paperbacks: Film and Television Studies
Today, at a time when we are seeking to orient ourselves within a flood of raw information and conflicting narratives, an understanding of storytelling is of vital importance for making sense of the world. In this book, award-winning screenwriter Stephen Most offers a captivating, refreshingly heartfelt exploration of how documentary film and other forms of storytelling remain so essential today.
Subjects: Film and Television Studies Literary Studies
Cinema and the Environment in Eastern Europe traces from the 1970s through the post 1989 period how documentaries and filmmakers began to articulate alternative, aesthetically and ideologically provocative visions of the relationship between human and natural worlds.
Subjects: Film and Television Studies Environmental Studies (General) Cultural Studies (General)
In an increasingly transnational production of film and television, Entertaining German Culture explores and contextually thematizes a radical shift in the past fifteen years towards a profound appreciation of German cultural and intellectual history in the international mainstream.
Subjects: Film and Television Studies Media Studies History (General)
By focusing on regional film markets in Thessasloniki, Sarajevo, and Tbilisi, Coproduction Europe uses comparative ethnography to look beyond the economic nature of film coproductions to explore their role in Europeanisation, memories of the Cold War, and preconstructed political agendas.
Subjects: Film and Television Studies Cultural Studies (General) History: 20th Century to Present
Many films and novels defy our ability to make sense of the plot. Puzzling Stories offers the first comprehensive, multidisciplinary, and trans-medial approach to the question of cognitive challenge in narrative art, bringing together psychological, philosophical, formal-historical, and empirical perspectives from leading scholars across these fields.
Subjects: Film and Television Studies Cultural Studies (General) Sociology
Soho on Screenprovides the first history of London’s commercial and cultural center, Soho, in British cinema. It highlights forgotten British films, filmmakers, and stars in detail and introduces thoroughly researched studies that highlight not only the cultural importance of Soho as a locus for cinema but also the impact of gentrification on the cultural and social development of Soho today.
Subjects: Film and Television Studies Media Studies
By focusing on a series of colorful filmmakers whose work, while omnipresent during the 1970s, now remains critically ignored, Hotbeds of Licentiousness explores pornography as a lens through which to view radical changes in British society.
Subjects: Film and Television Studies History: 20th Century to Present Cultural Studies (General)
Through an intermedial approach combining studies on cinema and photography, Moving Frames addresses precise historical moments uniquely in a German context. Across films both in and outside the canon, this volume tackles those specific historical moments experienced in media forms to gauge the cultural, political, and transnational trends in humanity’s desire for agency and how that agency is represented.
Subjects: Film and Television Studies Cultural Studies (General) History: 20th Century to Present
This book analyzes, within the realms of national literature and film, recent Australian and Canadian attempts to reconcile with Indigenous populations in the wake of forced child removal. As Hanna Teichler demonstrates, their systematic emphasis on the subjectivity of the victim is carnivalesque, temporarily overturning discursive hierarchies.
Subjects: Memory Studies Literary Studies Film and Television Studies
One More for the Road recounts the life and career of Croatian filmmaker Rajko Grlić in the form of a film dictionary, tying cinematic terms to anecdotes spanning Grlić’s life. With a scholarly introduction by Aida Vidan, these personal stories combine to provide insight into the socialist film industries and south Slavic film.
Subjects: Film and Television Studies Cultural Studies (General)
Since the early 1990s, phenomenology and cognitivism have become two of the most influential approaches to film theory. Emotions, Ethics, and Cinematic Experience explores how these two approaches might work together to create a philosophy of film that is both descriptively rich and theoretically productive.
Subjects: Film and Television Studies Media Studies Sociology
By combining close analyses of five films made between 1947 and 1988 with extensive archival research, this book unravels the complex status of films dealing with Jewish persecution produced in a country that consistently privileged narratives of political persecution above racial victimhood.
Subjects: Film and Television Studies Genocide History History: 20th Century to Present
Drawing from political sociology, pop psychology, and film studies, Cinemas of Boyhood features an eclectic range of films from British and Indian cinemas to silent Hollywood and the new Hollywood of the 1980s, culminating in a comprehensive overview of the diverse concerns surrounding representations of boyhood in film.
Subjects: Film and Television Studies Gender Studies and Sexuality
The film industry in the Weimar Republic was a major site for German-Jewish experience that provided a sphere for Jewish "outsiders" to shape mainstream culture. The essays in Rethinking Jewishness in Weimar Cinema offer new historical, theoretical, and methodological approaches to the significant involvement of Jewish people in Weimar cinema.
Subjects: Film and Television Studies Jewish Studies History: 20th Century to Present
Sensitive Subjects examines how contemporary German-language cinema may be read as seeking to produce greater political sensitivity in audiences through its form—that is, by employing medium-specific devices such as lighting, sound, editing and mise-en-scène in ways that prompt a more critical stance towards the societies it depicts.
Subjects: Film and Television Studies Media Studies
Detlef Siegfried’s long-awaited English translation chronicles Ernest Borneman’s journey from his days as a young Jewish Communist in Berlin to his ventures in England and Canada, and ultimately, to his endeavors as the most prominent sexologist spearheading the sexual revolution in West Germany and Austria in the twentieth century.
Subjects: History: 20th Century to Present Cultural Studies (General) Film and Television Studies Media Studies
Don't Need No Thought Control explores the dynamic interplay between popular demands, intensifying economic crises, and cultural policy decisions during the Erich Honecker era in a comprehensive and comparative analysis.
Subjects: History: 20th Century to Present Media Studies Cultural Studies (General) Film and Television Studies
A Dramatic Revinvention sheds new light on how Germans rebuilt their moral and intellectual world after the Nazi catastrophe. The book argues that television emerged as one of the most important mediums for presenting, discussing, and working through the question of how to re-moralize Germany.
Subjects: History: 20th Century to Present Film and Television Studies
This innovative study develops the concept of “retro” to describe the nuanced and ironic depiction of the past as seen in Czech popular culture. It locates a distinctively retro aesthetic in Czech literature, film, and other cultural forms, enriching our understanding of not only the nation’s memory culture, but also the ways in which popular culture can structure collective memory.
Subjects: Cultural Studies (General) History: 20th Century to Present Film and Television Studies Memory Studies
Italian cinema gave rise to some of the best-known films of the postwar years, and its stars were beloved by both the public and producers. This book explores the many conflicts over stars and stardom that arose during Italian cinema’s postwar rebirth, shedding new light on the close relationship forged between cinema and society.
Subjects: Film and Television Studies History: 20th Century to Present
Almost from their very inception, European cinemas frequently undertook collaborative ventures in an attempt to cultivate a transnational “Film-Europe.” And despite the significant obstacles that the East/West divide presented to achieving that ideal, in the postwar era it was DEFA, the state cinema of the newly created East Germany, that emerged as one of the primary sites where these practices persisted.
Subjects: Film and Television Studies History: 20th Century to Present
Persistently Postwar approaches the topics of social memory and political discourse through an exploration of Japan’s post-war mass media. Diverse disciplinary backgrounds and contrasting perspectives offer a nuanced dialogue in which the functions of mass media are explored as more than a simple ideological tool.
Subjects: Media Studies Film and Television Studies Cultural Studies (General) Memory Studies
Screening Art represents the first full-length study of films about art and artists produced by the state-owned Eastern German film studio DEFA. It investigates the essential role that these “art films” played in the development of new paradigms of socialist art in post-war Europe.
Subjects: Film and Television Studies History: 20th Century to Present Cultural Studies (General)
Sofia Coppola: The Politics of Visual Pleasure interprets Coppola’s oeuvre to date from a resolutely feminist and philosophical perspective. Using the work of a range of feminist theorists, Backman Rogers situates Coppola’s work as a critique of postfeminist lifestyles that offer the viewer a feminist and feminine philosophy through beguilement, mood and surface.
Subjects: Film and Television Studies Gender Studies and Sexuality Cultural Studies (General)
This thoroughly revised and updated edition of Marek Haltof’s seminal survey takes stock of dramatic shifts in Polish society and to provide an essential account of the nation’s cinema from the nineteenth century to today. It covers such renowned figures as Kieślowski and Wajda along with vastly expanded coverage of documentaries, animation, and television.
Subjects: Film and Television Studies Cultural Studies (General) History: 20th Century to Present
Established in 1955, the Leipzig Film Festival’s location in the GDR deeply implicated it in the cultural and political competition between East and West Germany. Screened Encounters offers a comprehensive study of the festival’s history, as well as its influence on international relations during the Cold War.
Subjects: Film and Television Studies History: 20th Century to Present
Narrative comprehension, memory, hallucination, and dreaming have long been objects of fascination for cognitive psychologists, as well as inspiration for experimental filmmakers. Lessons in Perception brings together film theory and psychological research by exploring how experimental filmmakers expand the viewer’s range of aesthetic sensitivities, and the creative possibilities uncharted by commercial cinema.
Subjects: Film and Television Studies Media Studies Sociology
Spanish film and television represent a remarkably influential and vibrant cultural industry, as well as a fertile site of innovation in the production of “transmedia” works that bridge narrative forms. Spanish Lessons provides an engaging exploration of the nation’s visual culture in an era of collapsing genre boundaries, accelerating technological change, and political-economic tumult.
Subjects: Film and Television Studies Media Studies
With his meticulous approach to craft, formal innovations, and intensely personal style, Robert Bresson was in many ways the prototypical auteur. This strikingly original study of Bresson and his cinematic afterlives his influence in the work of French filmmakers such as Pialat, Eustache, and Rohmer—directors united by the “problem” of authorial style they inherited from Bresson.
Subject: Film and Television Studies
The last two decades have been frequently discordant for German feminism, as a new cohort of activists has come of age and challenged many of the movement’s strategic and philosophical orthodoxies. This book offers an incisive cultural analysis of these trans-generational debates, identifying characteristic features of their representation in German literature, film, and media.
Subjects: Gender Studies and Sexuality Media Studies Film and Television Studies Literary Studies
Polish cinema has inescapably been shaped by the nation’s succession of different economic and ideological regimes over the last century. This volume is the first to analyze the entirety of the nation’s film history—from independence in 1918 to today—through the lenses of political economy and social class.
Subjects: Film and Television Studies History: 20th Century to Present
What might the “organic” mean in the context of film studies? This innovative volume locates one instance of organicity in the work of Béla Tarr, the renowned Hungarian filmmaker “slow cinema” pioneer. It analyzes Tarr’s long take and other signature techniques, establishes links between the seemingly remote spheres of film and architecture.
Subjects: Film and Television Studies Cultural Studies (General)
The richness of Brazilian stardom extends well beyond the ubiquitous Carmen Miranda, and among the studies assembled in this volume are fascinating explorations of figures alongside interrogations of the inner workings of the star system in Brazil, from the pioneering efforts of silent-era actresses to the recent advent of the non-professional movie star.
Subjects: Film and Television Studies Media Studies
Once one of the leading lights of Swedish cinema, director Hasse Ekman is today virtually unknown outside of Sweden, eclipsed by the iconic Ingmar Bergman. This first-ever English-language book on the subject provides an engaging, comprehensive survey of Ekman’s career, combining explorations of historical context with insightful analyses of styles and themes.
Subject: Film and Television Studies
Since the fall of the Berlin Wall, interest in East German cinema has exploded, inspiring innumerable festivals, books, and exhibits. In this stimulating collection, leading international experts assess this vibrant landscape and plot an ambitious course for future research that considers other cinematic traditions, genre works, and DEFA’s post-unification “afterlife.”
Subjects: Film and Television Studies History: 20th Century to Present
Long overlooked by scholars and critics, the history and aesthetics of German television have only recently begun to attract serious, sustained attention, and then largely within Germany. This ambitious volume collects penetrating essays on the distinctive theories, practices, and social-historical contexts that defined television in Germany.
Subjects: Film and Television Studies Media Studies
French sociologist Pierre Bourdieu’s work has been extremely influential, but has only intermittently been used to study cinema and new media. With topics ranging from photography to mobile technology, this collection demonstrates the enormous relevance that Bourdieu holds for the field of media studies.
Subjects: Film and Television Studies Media Studies Sociology
One of the less explored dimensions of the “New Hollywood” canon of the 1960s and 1970s has been its profound environmental sensibility. This engaging study examines how a number of factors made the era such a vividly “grounded” cinematic moment.
Subjects: Film and Television Studies Environmental Studies (General)
This is a fresh and groundbreaking account of the innovations and provocations of the “cinema of 1968,” and its social and aesthetic contexts. Benjamin Halligan offers a genuinely fresh analysis of films reflecting the cultural upheaval of youth in revolt—cinema that did not merely entertain, but was made the barricades.
Subjects: Film and Television Studies History: 20th Century to Present
Despite being two key sites for filmmaking in the Soviet bloc, the national cinemas of Czechoslovakia and East Germany have received comparatively little attention from scholars. This volume comprehensively explores these film cultures using a “stereoscopic” approach that traces their similarities and divergences to form a multifaceted, richly contextualized portrait.
Subjects: Film and Television Studies History: 20th Century to Present
The trajectory of Hong Kong films had been drastically affected long before the city’s official sovereignty transfer from the British to the Chinese in 1997. The author introduces the “Cinema of Transitions,” using examples from the 1980s to the present, to study New Hong Kong Cinema and on- and off-screen life against this background.
Subjects: Film and Television Studies Cultural Studies (General)
Federico Fellini is often considered a disengaged filmmaker, more interested in self-referential dreams and grotesquerie than contemporary politics. This book challenges that myth.
Subject: Film and Television Studies
There has been a revival of interest in the work of Polish film director Walerian Borowczyk, a label-defying auteur and “escape artist” if there ever was one. This volume, markedly experimental in character, allows scholars to gain insight into previously unnoticed aspects of Borowczyk’s complex and ambiguous oeuvre.
Subject: Film and Television Studies
Television was one of the forces shaping the cultural revolution of the 1960s and 1970s, when a blockbuster TV series could reach up to a third of a country’s population. This book explores television’s impact on social change by comparing three sitcoms and their audiences.
Subjects: History: 20th Century to Present Media Studies Film and Television Studies
Subject: Film and Television Studies
Scandals and economic stagnation in the colonies demanded a new and positive image of their value for Germany. By promoting business and establishing a new genre within the fast growing film industry, films of the colonies triggered patriotic feelings but also addressed the audience as travelers, explorers, wildlife protectionists, and participants in unique cultural events.
Subjects: Film and Television Studies Colonial History
The films of Darren Aronofsky invite emotional engagement by means of affective resonance between the film and the spectator’s lived body. Bodies in Pain analyses how Aronofsky’s films engage the spectator in an affective form of viewing that involves all the senses, ultimately engendering a process of (self) reflection through their emotional dynamics.
Subject: Film and Television Studies
Contrary to the assumption that Western and Eastern European economies and cinemas were very different from each other, they actually had much in common. After the Second World War both the East and the West adopted a mixed system, containing elements of both socialism and capitalism, and from the 1980s on the whole of Europe, albeit at an uneven speed, followed the neoliberal agenda. This book examines how the economic systems of the East and West impacted labor by focusing on the representation of work in European cinema.
Subject: Film and Television Studies
Between the two world wars, a distinct and vibrant film culture emerged in Europe. Film festivals and schools were established; film theory and history was written that took cinema seriously as an art form; and critical writing that created the film canon flourished. This new European film culture established film as a valid form of social expression, as an art form, and as a political force to be reckoned with.
Subject: Film and Television Studies
What are the nuances, insider codes, and hidden history of the alignment between cinema and nationalism? Hugo Frey suggests that the concepts of the ‘political myth’ and ‘the film event’ are the essential theoretical reference points for unlocking film history. Nationalism and the Cinema in France offers new arguments regarding those connections in the French case.
Subjects: Film and Television Studies History: 20th Century to Present
"On the evidence of this brilliantly allusive study of Ingmar Bergman, John Orr, had it not been for his premature passing, would have become one of the world's most influential of film analysts. Even beneath the shadow of the plethora of books on Bergman, Orr's approach is distinctive… He emphasizes the maestro's courageous leap into Modernism in the early 1960's, and the profound influence he exerted on his contemporaries. It is a pleasure to read Orr's elegant prose, which eschews the obtuse terminology of semiotics in favor of a lucid, almost passionate approach to the material. Bergman, one feels, would have enjoyed this book." · Peter Cowie, author of Ingmar Bergman, A Critical Biography.
Subject: Film and Television Studies
Subject: Film and Television Studies
Subjects: Film and Television Studies Performance Studies
Subjects: Film and Television Studies Cultural Studies (General)
“This is an ambitious and ground-breaking volume which takes a thoroughly interdisciplinary perspective on what the editors have branded as ‘transcultural montage.’ ...The total effect is a mesmerising and in many ways insightful comparative endeavour that will do much to consolidate montage as a theme that goes to the heart of contemporary social theory.” · Martin Holbraad, University College London
Subjects: Anthropology (General) Cultural Studies (General) Film and Television Studies Museum Studies
Subject: Film and Television Studies
Subjects: Film and Television Studies History: 20th Century to Present
Subject: Film and Television Studies
Subjects: Cultural Studies (General) History: 20th Century to Present Film and Television Studies
Subject: Film and Television Studies
Subjects: Film and Television Studies Genocide History Colonial History
Subject: Film and Television Studies
Subjects: Film and Television Studies Gender Studies and Sexuality
Subject: Film and Television Studies
Subjects: Film and Television Studies History: 20th Century to Present
Subjects: Film and Television Studies Genocide History Cultural Studies (General)
Subjects: Film and Television Studies Genocide History
Subject: Film and Television Studies
Subjects: Film and Television Studies History: 20th Century to Present
Subject: Film and Television Studies
Subject: Film and Television Studies
Subject: Film and Television Studies
Subject: Film and Television Studies
Subjects: Film and Television Studies Cultural Studies (General) Gender Studies and Sexuality
Subjects: Film and Television Studies Gender Studies and Sexuality
Subject: Film and Television Studies
Subject: Film and Television Studies
Subject: Film and Television Studies
Subjects: Film and Television Studies Gender Studies and Sexuality
Subjects: History (General) Media Studies Literary Studies Film and Television Studies
Subjects: Film and Television Studies Refugee and Migration Studies History: 20th Century to Present
Subject: Film and Television Studies
Subjects: History: 20th Century to Present Film and Television Studies Cultural Studies (General)
Subject: Film and Television Studies
Subjects: Film and Television Studies History: 20th Century to Present
Subject: Film and Television Studies
Subjects: Media Studies Cultural Studies (General) Film and Television Studies Memory Studies
Subjects: Film and Television Studies Gender Studies and Sexuality
Subjects: Film and Television Studies Jewish Studies
Subjects: Film and Television Studies History: 20th Century to Present
Subjects: Film and Television Studies History: 20th Century to Present
Subject: Film and Television Studies
Subjects: Film and Television Studies Sociology
Subjects: Film and Television Studies Cultural Studies (General)
Subjects: Film and Television Studies History: 20th Century to Present Cultural Studies (General)
